Donut Boy smiled and looked up at the bright blue summer sky. The world was filled with possibility. Neither spoke for fear of breaking the magical spell, they simply took in the moment as the ancient city transport shuttle lurched and sputtered its way up the steep gravel road. The young driver searched in vain for a gear that would ease the strain but the hissing rattling engine refused to yield. The transmission complained loudly as the shuttle belched thick black diesel exhaust into the quiet morning air.
Donut boy was the first to break the silence. “I liked yummy things”, he gleaned. Travel Mug looked away slowly shaking his aching head, a dull throbbing pain just behind his left eye caused him to blink awkwardly. A swell day…a swell day indeed
I don’t know what it is about monsters but they sure are fun to draw. Am I right? My favorite are probably movie monsters I’m not talking about the CG monsters in today’s movies, they’re great and all, but there’s just something about a guy in a mask. I don’t know, I love em. Especially the ones from the 50s and 60s. They were just real enough so you could tell what they were suppose to be but dopey enough so that they weren’t scary. I guess it’s the hokeyness.
Star Trek was great at that. I mean Jim Kirk fighting the Gorn, come on is there a better scene than that? The old Kirk double fisted punch or the karate chop knockout blow to the neck, that is good as it gets. Anyhow Monster Week at Bob Ostrom studio is just about over but if you want to see more like this come visit me over at Instagram. See you there monster lovers.
Superhero week has come and gone in a flash. Thanks to everyone who followed along with me and thanks to those of you who came and found me on Instagram. You guys are total rocks stars. Today I wanted to take a look at what the process looks like when developing characters for an actual client. Sure it’s fun to draw whatever comes to mind but what happens when you’re doing it for a real live client? Lets take a look at the process.
Step one sketches:
Concept sketches. Step one is always sketches. My client is Chewy.com.I’ve worked with them for many years. We designed a set of characters together to help them market their online services. The main character Mr. Chewy is a lovable dog character who is sort of the guy in charge. He’s had lots of different adventures from vacationing on the sunny Florida cost to sled rides in the frozen north. Once he even ran for President of the United States of America.
The assignment for Mr. Chewy this time was to become a superhero. Does this guy get around or what? Anyhow I discuss the project with the creative director and we’re uncertain if we’re looking for an action pose or a hero pose. I throw out a couple of quick sketches of each.Step two tighten up:
The superhero pose is the winner. So it’s time to tighten up on the sketch. Because I know this character so well and I’ve drawn him so often I find tightening up the sketch in Illustrator is the cleanest fastest way to go.
Step 3 color:
The tight sketch is approved. Time to move onto color. In my head I’ve thinking this guy is definitely a red, yellow white kind of superhero. Kind of a Flash/Shazam color scheme. So I find my colors and submit my art. The client however was thinking more of a blue red yellow combo like Superman. Superman is arguably a much more popular and recognizable figure so I switch things up and resubmit. We don’t want to do a direct ripoff of the color scheme so we change the combo up a little. To help the artwork pop we keep Chewy mostly in red and yellow and add a little blue for accents. High fives all the way around! Job well done.