I posted a link to this on Facebook last week but for those of you who don’t follow me there or might have missed it here it is again. You can now pick up the Procreate Artist’s Handbook on iBooks for free. I downloaded my copy last night and have not officially cracked the spine on it yet but you can be sure I’ll be going through it as soon as I have some time. If you’re an iPad user and you haven’t tried the Procreate app yet I highly recommend you give it a try. It’s one of the best out there.
I’ve worked my way through a lot of artists app on iPad but for the most part remain unimpressed. Last week however I picked up a copy of something I think holds a lot of promise. I talking about Clip Studio Paint for iPad and will be taking a deeper look in weeks to come. So far I’ve only dipped my toe in but it looks like a great option. Unfortunately though it’s a subscription ($8.99 per month at the time of this post) so I’m not sure how I feel about that. Subscriptions seem to be the wave of the future which is great for the developer but not so much for users. The rates on most seem pretty reasonable until you start doing the math then suddenly you realize all those little payments quickly add up. I should mention there is a 6 month free trial period on this app if you pick it up before December 20th 2017 which I think is a smart move on the part of the developer. That should give artists like me just enough time to get hooked before the rates kick in.
I’ll post updates as I learn more but for now the art you see in today’s was done 100% digitally on the iPad Pro using only the Procreate app. Until next week happy drawing.
If you watched the video I posted here on the site you’ll understand the cause for alarm and why I felt it was important to share the information right away. Since I’m not an expert on copyright law and have very little experience with law of any kind I decided to reach out to an expert to try and learn more.
The expert I consulted was Zack Strebeck an attorney who specializes in just this sort of thing. Zack and I have known each other for many years and worked together for Vivendi Universal at Funny Bone in Canton CT during the late 90s and early 2000s. After the company closed its doors in 2002 I continued with my art career while Zack pursued a degree in law. I have a tremendous amount of respect for Zack and have come to know him an excellent authority on such matters.
Earlier this week I reached out to get Zack’s opinion on what was happening and to see if he knew anything more about the issue. I shared the link to the video interview I posted as well as several others I found on both sides of the fence. I found it confusing to see two sides so far apart and I felt I needed some help clarifying the issue. I wanted a better understanding of how it might effect me and others in the illustration community.
Here is a link to Zack’s post and his observations on the matter. Please take a moment to read and observe all sides of this issue and then draw your own conclusion.
I know this topic has ignited a lot of passions so please be respectful when leaving comments
I had planned to put up something different today but instead because this issue is so important I’m bumping my regularly scheduled post to run this video interview. I would like to give a special thanks to artist Will Terry for allowing me to show his interview on the site today. Also thanks to Brad Holland for all his valuable information. Unfortunately as you’ll see I’m a little late getting on board but there is still time to act.
Our copyright laws here in the United States may be changing soon and if you don’t think these issues will have an effect on you or your business, think again. These are sweeping changes that will eliminate many of the protections we as artists have come to rely on. Unfortunately there is not a lot of internet coverage on this important issue right now. You won’t find it in the news and you won’t hear people talking about it. Many artists are completely unaware that something this important is even being discussed.
Last week artist Will Terry posted an interview he did with the legendary Brad Holland. Brad and Will do an excellent job covering the topics and spelling out just how damaging these new laws may be if passed. If you are an artist or know someone who is, please take time to watch this video and see how these new laws could change the way you do business for years to come. There are only a couple of days left to let your voice be heard. If you’d like to get involved please share this video and follow the links posted below. The deadline for letting your voice be heard is this Thursday July 25th.
VIDEO: An Evening with Bruce Lehman
Webcast presentation from Society of Illustrators (SI)
New York – February 21, 2008
Sponsored by ASIP And SI
Q & A about illustrators’ reprographic rights and their right to remuneration. http://www.asip-repro.org/resources.html
Orphan Works Roundtable
Conducted by the Small Business Administration
Salmagundi Art Club, New York, NY
Initiated by the Illustrators’ Partnership of America, the Artists Rights Society and the Advertising Photographers of America, and conducted by Tom Sullivan, Director of the Office of Advocacy of the US Small Business Administration. This was the first effort to assess the economic impact of the Orphan Works Acts H.R. 5889 and S. 2913 on creators and small businesses. Seventeen distinguished panelists spoke, all freelance working artists and stakeholders who would be directly impacted by this proposed legislation. Six 3’x4’ exhibit panels demonstrated orphan work infringements.
Presenters submitted written statements to IPA after the meeting. We compiled these into notebooks and distributed 14 notebooks of SBA Orphan Works Roundtable statements to key members of the Senate and House Judiciary Committees.