Donut Boy smiled and looked up at the bright blue summer sky. The world was filled with possibility. Neither spoke for fear of breaking the magical spell, they simply took in the moment as the ancient city transport shuttle lurched and sputtered its way up the steep gravel road. The young driver searched in vain for a gear that would ease the strain but the hissing rattling engine refused to yield. The transmission complained loudly as the shuttle belched thick black diesel exhaust into the quiet morning air.
Donut boy was the first to break the silence. “I liked yummy things”, he gleaned. Travel Mug looked away slowly shaking his aching head, a dull throbbing pain just behind his left eye caused him to blink awkwardly. A swell day…a swell day indeed
Most people point their cameras up when there taking photos. Lately I’ve been pointing mine down. I find the best textures live on or near the ground. I’m sure my neighbors think I’ve lost it when they see me taking pictures of my driveway but I don’t care because I know it’s going to make an excellent texture for my next piece of art.
There are lots of different ways to add visual interest to a digital file. I’ve been inspired by the some of the unique art I’ve been seeing on Instagram lately. Lots of textures and lots of originality. It seems as though the pendulum has begun to swing in the direction of a more organic look these days. Adding texture is a great way to great way to add visual interest and create a unique signature. The trick is figuring out how some of it is done and that’s the focus right now.
I’ve worked with adding simple textures in the past but I feel like I’ve barely scratched the surface when I look at some of the artists I’ve been following. This month I plan to dig in a little deeper and see if I can come up with some solutions of my own. At the same time I’ll be attempting to solve some of the problems I ran into earlier with my textures. I noticed some of the blending modes I used earlier made my art skew a little darker than I would have liked. I’d also like to see if I can find a way to add more vibrant colors to my textures at the same time.
My early attempts focused mainly on Photoshop but now I’m looking into Illustrator. The technique is slightly more complicated with Illustrator because, as you know, Photoshop offers the ease of using clipping masks where Illustrator does not. The art shown here involves two different textures placed on top of the original art using different blending mode for each. I’m pretty happy with whats going on in this illustration but for my next attempt I’d like to try and push the envelope a little further. Stay tuned for more updates.